Nikdo me nemá rád (2024)
Anno di uscita: 2024
Nazione: Czech Republic, France, Slovakia
Alternative Title: Nobody Likes Me, 讨嫌的人, Keegi ei armasta mind, Senki sem szeret, Nikt mnie nie kocha
Regista: Petr Kazda, Tomás Weinreb, Tomáš Weinreb
Writer: Petr Kazda, Tomáš Weinreb
Produzione & Genere
Produttore: Producer: Tomáš Weinreb, Petr Kazda, Vojtěch Frič
Società: Arizona Productions, Arytmia, Black Balance, love.FRAME
Budget: €1,782,000 (estimated)
Premi & Simili
Premi:
Simile: N/A
Parole chiave
Parole chiave: 21st century, art gallery, bare chested male, central europe, claim in title, europe, f rated, female lead, female protagonist, hermaphrodite, intersexual, lgbt cinema, loneliness, lonely man, lonely woman, male star appears shirtless, outcast, psychological drama, restaurant, social outcast
Storia
Sara, a detached observer of others' lives, becomes captivated by Martin's charm and grace. As their bond deepens, Sara desires a more physical connection but Martin remains reluctant to commit fully. When Sara presses him for an explanation, he reveals that he is intersex, a secret he has kept hidden from society due to fear of rejection. Despite this revelation, Sara remains supportive, but her impulsive disclosure of Martin's secret to her family leads to devastating consequences as she realizes the harsh reality of societal attitudes towards those who are perceived as 'different'.
Riassunto
'Nikdo me nemá rád' (2024), directed by Petr Kazda and Tomáš Weinreb, is a poignant exploration of love, acceptance, and societal norms set against the backdrop of 21st-century Central Europe. The film centers around Sara, a woman who finds herself drawn to Martin, a soft-spoken man with a secret that makes him an outcast in their small town. As their relationship blossoms, Sara is determined to uncover the truth behind Martin's reluctance to commit fully, ultimately leading her to discover his intersex identity. The narrative explores themes of loneliness, love, and societal acceptance, challenging viewers to confront their own biases towards those who fall outside traditional norms.