Passion (2012)
Anno di uscita: 2012
Alternative Title: Brian De Palma's Passion, Pasión, Paixão, Страст, Gyilkos vágyak, Tshouka, パッション, Grēcīgā kaislība, Nuodeminga aistra, Pasión, un asesinato perfecto, Namiętność, Paixão, Strast, 激情, Öldüren Tutku, Пристрасть
Regista: Brian De Palma
Writer: Alain Corneau, Brian De Palma, Natalie Carter
Produzione & Genere
Produttore: Producer: Saïd Ben Saïd
Co-Producer: Alfred Hürmer
Società: France 2 Cinéma, Integral Film, SBS Productions
Genere: Drama, Mystery, Thriller
Budget: 20.000.000
Premi & Simili
Premi:
Simile:
Parole chiave
Parole chiave: advertising, advertising agency, blackmail, boss takes credit for employee idea, dream sequence, drunk, embezzler, erotic movie, evil boss, framed for murder, murder, public humiliation, remake, revenge plot, seduction, simulated sex, slit throat, women kissing, workplace humiliation, workplace rival
Storia
Passion (2012) centers around the toxic rivalry between Isabelle (Noomi Rapace), a manipulative advertising agency boss, and her talented protégé, Christine (Rachel McAdams). The tension escalates from Isabelle taking credit for Christine's ideas to public humiliation. In a pivotal scene, after a drunken night out, Isabelle seduces Christine in a dream sequence that appears to be consensual but is later revealed to be a form of blackmail and manipulation. When Christine discovers Isabelle's embezzlement, she threatens to expose her. To cover her tracks and maintain her position, Isabelle frames Christine for murder, leading to the story's climax.
Riassunto
Directed by Brian De Palma, Passion (2012) is a remake of Alain Corneau's 'Crime d'amour'. Set in the cutthroat world of advertising, the film explores themes of power dynamics, manipulation, and revenge. The plot is driven by the intense rivalry between Isabelle and Christine, with Isabelle's character embodying the evil boss archetype, taking credit for others' ideas, humiliating her subordinate publicly, and ultimately framing Christine for murder to protect her own interests.
