Scena da Sprängaren (2001)
Dettagli della scena
| Durata: 184 sec.. | Nudità: yes | Creatore: Jotell |
| Nuova dimensione file: Loading... | Audio: yes | Vecchia dimensione file: 31 mb |
| Formato file: AOMedia Video 1 (WebM/AV1) | Risoluzione: 720x408 | Aggiunto: 2007-10-22 |
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Nome di nascita: Helena Kristina Bergström
Data di nascita: 1964-02-05
Luogo di nascita: Gothenburg, Gothenburg Municipality, Sweden
Dettagli
Nomi alternativi: Helena Kristina Bergström, Helena Bergström Nutley
Caratteristiche fisiche: N/A
Carriera
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Biografia completa
Helena Bergström (born 5 February 1964 in Kortedala, Gothenburg) is a Swedish actress.
The granddaughter of legendary Swedish actor Olof Widgren and the daughter of Hans Bergström (director) and Kerstin Widgren (actress). Bergström is married to Colin Nutley and is known for playing the female lead in many of his films. Being one of Sweden’s most highly acclaimed stage actresses she has played the lead part in plays like ”Miss Julie”, ”Twelfth Night”, ”Pygmalion”, ”Piaf”, "A Dolls House", the part of Hamlet in “Hamlet”, “Medea” and Blanche in “A Streetcar Named Desire”. In the autumn of 2008 she will play the part of Sally Bowles in Stockholm City Theatre’s production of “Cabaret”.
Despite being born into a theatrical family, Bergström's childhood dream was to work with animals. Aged 15, she travelled to Mississippi in the US as an exchange student and lived there for a year. During this time, she became fascinated with the theatre and decided that the stage was her calling. Back in Sweden, she won a part in a TV series but failed in her first attempt to achieve a place at stage school. Thanks to tuition from Margreth Weivers, she succeeded on her third attempt in 1985.
On graduating from the Swedish National Academy of Mime and Acting in 1988, she worked at both the Dramaten Theatre and the Stockholm City Theatre. Her breakthrough came with the film 1939 in 1989. Colin Nutley spotted her on a poster for the film "Women on the roof" Kvinnorna på taket (1989) and gave her the leading role in his film Blackjack (1990). She was also the obvious choice for his film Änglagård (1992) as well as its sequel ”House of Angels – the Second Summer”. In 1998 she played the part of Astrid in the English production ”Still Crazy” which was to be followed by Colin Nutley’s Oscar-nominated ”Under the Sun” - a film that also received the Special Jury Prize at the San Sebastian Film Festival "for the quality of its acting".
Winner of several awards including Best Actress at the Swedish Film Awards, the Montreal Film Festival and the 1995 Istanbul Film Festival for her performance in Nutley’s ”The Last Dance”.
In 2007 she made her directorial debut with “Mind the Gap” (Se upp för dårarna).
Has two children, a son and a daughter, with Nutley.
Sul film: Sprängaren (2001)
Titolo alternativo: Deadline, Deadline - Terror in Stockholm, Nedtælling, Sprengeren, The Bomber, Uutispommi
Regista: Colin Nutley
Sceneggiatore: Anna Fredriksson, Colin Nutley, Johanna Hald, Liza Marklund
Produzione & Genere
Produttore/i: Producer: Maritha Norstedt, Colin Nutley, Kerstin Bonnier
Società: Sweetwater Production, SF Studios, TV4, Jens Fischer Film
Genere: Action Film, Drama, Film Adaptation, Mystery
Premi & Simili
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Parole chiave
Parole chiave: stockholm, sweden, bombing
Storia
In 'Sprängaren', directed by Colin Nutley, the Victoria stadium is destroyed in a bomb attack. Christina Furhage, who was head of preparations for the Olympic Games in Stockholm, dies in the blast. The police are desperate to find clues leading to the perpetrator but have no luck initially. As the Olympics approach, Annika Bengtzon, a reporter for Kvällsposten, sees connections that others miss and unwittingly begins an investigation that eventually puts her own life at risk.
Riassunto
'Sprängaren' is a Swedish film released in 2001, directed by Colin Nutley. It is an action film that combines elements of drama and mystery. The movie centers around the aftermath of a bombing at the Victoria stadium, which serves as a backdrop for exploring themes of corruption, power, and justice. Although the sources provide limited context or background information about the movie's significance, they do highlight its suspenseful plot and Annika Bengtzon's crucial role in uncovering the truth.