Attrice: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Titolo Film: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Durata: 34 sec..Nudità: yesCreatore: CelebTA
Nuova dimensione file: Loading...Audio: yesVecchia dimensione file: 4 mb
Formato file: AOMedia Video 1 (WebM/AV1)Risoluzione: 668x500Aggiunto: 2007-12-10

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Immagine di anteprima Kitten Natividad
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Nome di nascita: Francesca Isabel Natividad

Data di nascita: 1948-02-13

Luogo di nascita: Ciudad Juárez, Juárez Municipality, Mexico

Dettagli

Nomi alternativi: Francesca Isabel Natividad

Caratteristiche fisiche:

  • Height: 5′ 4″ (1.63 m)
  • Eye Color: brown

Carriera

Prime apparizioni:

  • The New Centurions (1972) come Go-Go Dancer (uncredited)

Ruoli più importanti:

  • My Tutor (1983) come Ana Maria
  • Airplane! (1980) come Bouncy Topless Woman on Plane (uncredited)
  • Airplane II: The Sequel (1982) come Moral Majority Woman (uncredited)
  • Thanks for the Mammaries (1987) come (archive footage)
  • Sizzle (1983) come
  • The Gong Show Movie (1980) come Performer
  • Beneath the Valley of the Ultra-Vixens (1979) come Lavonia / Lola Langusta
  • Up! (1976) come The Greek Chorus (as Francesca 'Kitten' Natividad)
  • The Tomb (1986) come Stripper
  • Faster Pussycat Fuck! Fuck! (2005) come Sally Sue

Punti salienti della carriera:

  • My Tutor (1983)
  • Airplane! (1980)
  • Airplane II: The Sequel (1982)
  • Thanks for the Mammaries (1987)
  • Sizzle (1983)
  • The Gong Show Movie (1980)
  • Beneath the Valley of the Ultra-Vixens (1979)
  • Up! (1976)
  • The Tomb (1986)
  • Faster Pussycat Fuck! Fuck! (2005)

Biografia completa

Natividad was born in Ciudad Juárez, Mexico, the eldest of nine children, and did not speak English until she was 10. At that time, her mother married a U.S. citizen and they moved to Texas. Natividad attended high school in El Paso, where she was her senior class president. After moving to California, she worked as a maid and cook for Stella Stevens and as a key-punch operator for IBM before turning to go-go dancing to make ends meet. Her stage name Kitten came from her shyness. At age 21, she had her first breast implant surgery in Tijuana (where it was legal) on the advice of her agent. Kitten Natividad was introduced to Russ Meyer by fellow dancer Shari Eubank, a performer in Meyer's 1975 film Supervixens. Meyer hired her to narrate his movie Up!, where she was shown sitting nude in a tree, quoting the poetry of Hilda Doolittle and acting as a Greek chorus to the nonsensical action. Meyer was so impressed he wanted her to star in his next feature, Beneath the Valley of the Ultra-Vixens, one of several collaborations between Meyer and film critic Roger Ebert. He paid for a second breast enhancement and voice lessons to eliminate her accent. She left her husband for Meyer during the filming, and they lived together as a couple for most of the next 15 years. After this, Natividad moved into pornographic modeling, mainly doing glamour or girl-girl shoots with the likes of Candy Samples, Uschi Digard, and Patty Plenty. The appearances increased her dancing income many times over. She incorporated a giant champagne glass into her act (similar to Lili St. Cyr), accompanied by the Bobby Darin hit "Splish Splash." She appeared as a guest on The Dating Game, one of a number of game shows that Chuck Barris produced. During the 1980s, Natividad began appearing in pornographic productions, initially limiting her performances to appearing topless. Eventually, however, she graduated to engaging in hardcore performances, usually with younger men and women. She also founded the private photo and video studio Kitten Klub. She famously appeared as a stripper at the bachelor party held by Sean Penn to celebrate his 1985 marriage to Madonna. In 2001, Natividad starred in the cult film comedy The Double-D Avenger, directed by William Winckler, and in it, she was reunited with fellow Russ Meyer stars, actress Haji from Russ Meyer's "Faster Pussycat! Kill! Kill!" and Raven De La Croix from Russ Meyer's film "Up! In The Double-D Avenger". Kitten Natividad plays Chastity Knott, a woman who becomes a busty costumed crime fighter.


Poster for Beneath the Valley of the Ultra-Vixens (1979)
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Anno di uscita: 1979

Nazione: United States

Titolo alternativo: Russ Meyer's Ultra Vixens, Ultra Vixens, Im tiefen Tal der Superhexen, Ultra Vixens - Tutti gli uomini di Lola Langusta, ウルトラ・ヴィクセン, Más allá del valle de las ultravixens, Ultravixens, Долина ультрамегер, Más allá del valle de las ultravixens, Nedanför ultravixens dal, Más allá del valle de las ultrazorras

Regista: Russ Meyer

Sceneggiatore: Roger Ebert, Russ Meyer

Produzione & Genere

Produttore/i: Producer: Fred Owens, Richard S. Brummer, Russ Meyer

Società: RM Films International

Genere: Comedy, Comedy Film, Erotic Film

Premi & Simili

Premi:

  • 1 nomination

Simile:

  • Rita, Sue and Bob Too (1987)
  • The Deviants (2004)
  • About Adam (2000)
  • Better Than Chocolate (1999)
  • Brutal Massacre: A Comedy (2008)

Parole chiave

Storia

In Smalltown USA, Levonna and Lamar could have an ideal relationship but for Lamar's fixation on rear entry, leading to frequent sexual frustrations for Levonna. Exasperated, Levonna devises a plan involving a wig and Mexican accent to become 'Lola'. Meanwhile, Lamar searches for others to indulge his preferred technique. During a drunken night, Lola seduces Lamar, but he remains unconscious throughout the act. Subsequently, Lamar seeks counsel from a gay marriage therapist who is himself attracted to Lamar's issue. Unable to resolve their problems through conventional means, Lamar ultimately turns to Sister Eufaula Roo at Rio Dio Radio's church for redemption.

Riassunto

Beneath the Valley of the Ultra-Vixens (1979) is a comedy-erotic film directed by Russ Meyer, known for his exploitation films. Set in Smalltown USA, the movie explores the unconventional sexual dynamics between Levonna and Lamar, focusing on Lamar's rear entry obsession. The story satirizes societal norms and expectations surrounding sexuality, presenting humorous yet provocative situations involving Voyeurism, employer-employee relationships, and older woman-younger man dynamics. Despite its erotic nature, the film is more about absurd comedy than genuine eroticism.