Attrice: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Titolo Film: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Scena da Believers (1987)

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Durata: 104 sec..Nudità: yesCreatore: zorg
Nuova dimensione file: Loading...Audio: yesVecchia dimensione file: 103 mb
Formato file: AOMedia Video 1 (WebM/AV1)Risoluzione: 1920x1040Aggiunto: 2014-12-21

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Immagine di anteprima Helen Shaver
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Nome di nascita: Helen Shaver

Data di nascita: 1951-02-24

Luogo di nascita: St. Thomas, Cole County, United States

Dettagli

Nomi alternativi: Helen Jane Shaver, هلن شیور

Caratteristiche fisiche: N/A

Carriera

Prime apparizioni:

  • The Overlanders (1974) come Mrs. O'Mara

Ruoli più importanti:

  • Desert Hearts (1985) come Vivian Bell
  • D.C. Sniper: 23 Days of Fear (2003) come Sandy Moose
  • Tremors 2: Aftershocks (1996) come Kate 'White' Reilly
  • Best Defense (1984) come Claire
  • The Color of Money (1986) come Janelle
  • The Believers (1987) come Jessica Halliday
  • The Osterman Weekend (1983) come Virginia Tremayne
  • The Craft (1996) come Grace
  • That Night (1992) come Ann O'Connor
  • Countdown to Looking Glass (1984) come Dorian Waldorf

Punti salienti della carriera:

  • Desert Hearts (1985)
  • D.C. Sniper: 23 Days of Fear (2003)
  • Tremors 2: Aftershocks (1996)
  • Best Defense (1984)
  • The Color of Money (1986)
  • The Believers (1987)
  • The Osterman Weekend (1983)
  • The Craft (1996)
  • That Night (1992)
  • Countdown to Looking Glass (1984)

Premi

Premi:

  • Theatre World Award (1992)
  • Canada's Walk of Fame (2004)

Biografia completa

Helen Shaver is a Canadian stage, film and television actress and director. She attended the Banff School of Fine Arts and studied Acting at the University of Victoria, British Columbia, Canada. She started acting at 18, collaborating with industry giants like Scorsese and Spielberg. Her performances earned awards—Theatreworld Award for "Jake’s Woman," Genies for "In Praise of Older Women" (Best Actress) and "Who Has Seen the Wind" (Best Supporting Actress). Transitioning to directing, she helmed episodes for various series and directed Emmy-winning films like "Summer’s End." Despite childhood illness, her resilience led her to study acting and excel in her craft.


Sul film: Believers (1987)

Poster for Believers (1987)
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Anno di uscita: 1987

Nazione: Canada, United Kingdom, United States

Titolo alternativo: The Believers, Adoradores do Diabo, Den 7. magt, Los creyentes, Pahan riivaamat, Les envoûtés, Oi daimonismenoi, A hívõk, Fekete mágia, The believers: I credenti del male, Santaria: Makai onryô, Mørkets makt, Wyznawcy zla, A Seita do Mal, Vudu vernici, De sju makterna, Tarikat, Das Ritual

Regista: John Schlesinger

Sceneggiatore: Mark Frost, Nicholas Conde

Produzione & Genere

Produttore/i: Producer: Beverly J. Camhe, John Schlesinger, Michael Childers
Executive Producer: Edward Teets

Società: Orion Pictures

Genere: Drama, Film Based On Literature, Horror, Horror Film, Mystery, Mystery Film, Thriller

Premi & Simili

Premi:

  • 1 nomination total

Simile:

  • Blood and Wine (1996)
  • Someone to Watch Over Me (1987)
  • Death and the Compass (1992)
  • 13 m² (2007)
  • Blast of Silence (1961)

Parole chiave

Storia

In the aftermath of his wife's accidental death and a recent move to New York with his young son, police psychologist Cal Jamison finds himself reluctantly drawn into investigating a series of grisly, ritualistic murders involving the immolation of two youths. The murders bear the hallmarks of Voodoo or Santería rituals, and despite warnings from his housekeeper, Jamison becomes personally involved in the case, entering the scene of the crimes and eventually becoming influenced by the cult's beliefs. As he delves deeper into the investigation, Jamison believes that the cult may be targeting his own son for a child sacrifice.

Riassunto

Believers is a 1987 film directed by John Schlesinger, which blends elements of drama, horror, and mystery. The story revolves around Cal Jamison, a police psychologist struggling with grief after his wife's death. When he moves to New York and becomes involved in investigating ritualistic murders, his personal life intersects with the macabre crimes. The film is notable for its exploration of African deities and cult rituals, particularly Voodoo or Santería, as well as its tense portrayal of a father's desperate efforts to protect his son from harm.