Scena da La gabbia (1985)
Dettagli della scena
| Durata: 89 sec.. | Nudità: no | Creatore: Ruffah |
| Nuova dimensione file: Loading... | Audio: yes | Vecchia dimensione file: 25 mb |
| Formato file: AOMedia Video 1 (WebM/AV1) | Risoluzione: 720x400 | Aggiunto: 2015-02-25 |
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Nome di nascita: Cristina Marsillach
Data di nascita: 1963-09-30
Luogo di nascita: Madrid, Community of Madrid, Spain
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Biografia completa
Cristina Marsillach (born 30 September 1963) is a Spanish actress.
She was born in Madrid and is the daughter of Adolfo Marsillach and sister of Blanca Marsillach, also a Spanish actress.
She is the Artistic Director of Marsillach Acting Academy in Madrid, Spain.
Cristina Marsillach
Dettagli
Nomi alternativi: Laura Antonaz, لورا آنتونلی
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Biografia completa
Laura Antonelli (née Antonaz; 28 November 1941 – 22 June 2015) was an Italian film actress, who appeared in 45 films between 1964 and 1991, and she is best known for the movie Malizia.
Antonelli was born Laura Antonaz in Pola, Kingdom of Italy (in Croatian, Pula), former capital of Istria. After the war, her parents fled what was then Yugoslavia, lived in Italian refugee camps and eventually settled in Naples, where her father found work as a hospital administrator. Antonelli had a childhood interest in mathematics, but as a teenager, she became proficient at gymnastics. In an interview for The New York Times, she recalled, "My parents had made me take hours of gym classes during my teens ... They felt I was ugly, clumsy, insignificant and they hoped I would at least develop some grace. I became very good, especially in rhythmical gym, which is a kind of dance."
Setting aside ambitions to make a career in mathematics, she graduated as a gymnastics instructor. She moved to Rome, where she became a secondary-school gym teacher and was able to meet people in the entertainment industry, who helped her find modelling jobs.
Antonelli's earliest engagements included Italian advertisements for Coca-Cola. In 1965, she made her first feature-film appearance in Le sedicenni, although her performance went uncredited. Her American debut came in 1966 in Dr. Goldfoot and the Girl Bombs. Other roles followed; her breakthrough came in 1973's Malizia. She appeared in a number of sex farces such as Till Marriage Do Us Part/Mio Dio come sono caduta in basso!.
She worked in more serious films, as well, including Luchino Visconti's last film, The Innocent (1976). In Wifemistress, a romance film of 1977, she played a repressed wife experiencing a sexual awakening. Later, she appeared in Passione d'Amore (1981). From 1986 she mostly worked on Italian television series. Antonelli's final film role was in the sequel Malizia 2000 (1991), following which she retired. She won the Italian National Syndicate of Film Journalists Award, Nastro d'Argento, in 1974 for Malizia.
Antonelli was married to publisher Enrico Piacentini but they divorced. From 1972 to 1980, she was the companion of actor Jean-Paul Belmondo.
On 27 April 1991, cocaine was found during a police raid on Antonelli's home. She was subsequently convicted of possession and dealing and sentenced to house arrest. She spent ten years appealing the conviction, which was eventually overturned. In 2006, the Italian court of appeals ruled in favor of Antonelli and ordered the Ministry of Justice to pay the actress 108,000 euros.
Sul film: La gabbia (1985)
Titolo alternativo: Collector's Item, The Trap, Der Käfig, A Armadilha dos Desejos, La jaula, L'enchaîné, Erotiki pagida, A Última Visita, Dead Fright
Regista: Giuseppe Patroni Griffi
Sceneggiatore: Alberto Silvestri, Concha Hombria, Francesco Barilli, Giuseppe Patroni Griffi, Lucio Fulci, Roberto Leoni
Produzione & Genere
Produttore/i: Producer: Ettore Spagnuolo, Juan L. Isasi
Società: Anem Films
Genere: Drama, Erotic Thriller
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Premi: N/A
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Parole chiave
Storia
There's no detailed plot description available for 'La gabbia' from the provided sources.
Riassunto
'La gabbia', released in 1985 and directed by Giuseppe Patroni Griffi, falls under the genres of Drama and Erotic Thriller. However, with the limited information available, its specific themes, context, or significance cannot be comprehensively summarized.