Attrice: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Titolo Film: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Durata: 2303 sec..Nudità: yesCreatore: zorg
Nuova dimensione file: Loading...Audio: yesVecchia dimensione file: 487 mb
Formato file: AOMedia Video 1 (WebM/AV1)Risoluzione: 720x362Aggiunto: 2020-10-14

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Immagine di anteprima Maria Rosaria Riuzzi
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Nome di nascita: Maria Rosaria Riuzzi

Data di nascita: 1957-02-01

Luogo di nascita: Rome, Lazio, Italy

Dettagli

Nomi alternativi: Mary Kristal, Mary Kristall, Maria Rosaria Riuzzo

Caratteristiche fisiche: N/A

Carriera

Prime apparizioni:

  • Emanuelle and Françoise (1975) come Pamela

Ruoli più importanti:

  • La madama (1976) come Naked Girl
  • Sorbole... che romagnola! (1976) come Orietta
  • Mandinga (1976) come Mary Foster
  • Violent Rome (1975) come Sartori's Daughter
  • Images in a Convent (1979) come Sister Giulia
  • Rome, the Other Face of Violence (1976) come Raped Girl #2 (uncredited)
  • Valentina... The Virgin Wife (1975) come Camilla
  • Emanuelle and Françoise (1975) come Pamela
  • Young, Violent, Dangerous (1976) come Friend of Lucio
  • Rome, Armed to the Teeth (1976) come Paola, Rape Victim

Punti salienti della carriera:

  • La madama (1976)
  • Sorbole... che romagnola! (1976)
  • Mandinga (1976)
  • Violent Rome (1975)
  • Images in a Convent (1979)
  • Rome, the Other Face of Violence (1976)
  • Valentina... The Virgin Wife (1975)
  • Emanuelle and Françoise (1975)
  • Young, Violent, Dangerous (1976)
  • Rome, Armed to the Teeth (1976)

Biografia completa

Maria Rosaria Riuzzi starred in 'Immagini di un convento' (1979), a film about an order of nuns whose desire for sexual contact leads them to rebel against their vows and become obsessed with a wounded man brought into their convent. The film explores themes of lust, fear, and demonic possession, as the nuns grapple with their desires while trying to maintain their religious duties.

Immagine di anteprima Marina Hedman
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Nome di nascita: Marina Hedman Bellis

Data di nascita: 1944-09-29

Luogo di nascita: Gothenburg, Gothenburg Municipality, Sweden

Dettagli

Nomi alternativi: Marina Lotar, Marina Frajese, Marina Lothan Fraiese, Hedman Bellis Marina, Marisa Harrison, Marina Lothar, Marina Hadman Bellis, Marina Fraiese, Marina Hedmann, Marina Hedman Bellis

Caratteristiche fisiche:

  • Ethnicity: Caucasian
  • Boobs: Natural
  • Height: 175
  • Hair Color: Blonde
  • Eye Color: Blue
  • Piercings: Yes

Carriera

Prime apparizioni:

  • Beyond Good and Evil (1977) come Prostitute (uncredited)

Ruoli più importanti:

  • Beyond Good and Evil (1977) come Prostitute (uncredited)

Punti salienti della carriera:

  • Beyond Good and Evil (1977)

Biografia completa

Marina Hedman Bellis (September 29, 1944 in Göteborg, Sweden) is a retired Swedish pornographic and mainstream actress. Hedman, who had been a well-known model, arrived in Italy as wife of an Italian journalist, Paolo Frajese, who in 1965 had gone to Sweden for a number of television reports.In 1976 she made her film debut with a small uncredited role in Lucio Fulci's sex comedy La pretora (My Sister In Law), starring Edwige Fenech. Throughout the late 1970s and early 1980s, Hedman had supporting roles in mainstream films. She appeared in her last film in the early 90s.

Immagine di anteprima Paola Maiolini
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Nome di nascita: Paola Maiolini

Data di nascita: 1953-04-07

Luogo di nascita: Rome, Lazio, Italy

Dettagli

Nomi alternativi: Paula Mayo, Paolo Maïolini, Katia Wassel

Caratteristiche fisiche: N/A

Carriera

Prime apparizioni:

  • Secret Confessions in a Cloistered Convent (1972) come Suor Clomira

Ruoli più importanti:

  • Obscene Desire (1978) come Prostitute
  • Images in a Convent (1979) come Sister Consolata
  • I 7 magnifici cornuti (1974) come American Woman
  • Traveling Companions (1978) come Emily
  • Midnight Pleasures (1975) come Lena
  • Romulus and Remus: The Story of Two Sons of a Wolf (1976) come Ersilia
  • Emanuelle Around the World (1977) come Maid in the Yacht
  • Amori, letti e tradimenti (1976) come Segretaria Del Commendatore
  • Love Sacrifice (1976) come Ornella Fischietti - The maid
  • Rome, the Other Face of Violence (1976) come Raped Girl #1 (uncredited)

Punti salienti della carriera:

  • Obscene Desire (1978)
  • Images in a Convent (1979)
  • I 7 magnifici cornuti (1974)
  • Traveling Companions (1978)
  • Midnight Pleasures (1975)
  • Romulus and Remus: The Story of Two Sons of a Wolf (1976)
  • Emanuelle Around the World (1977)
  • Amori, letti e tradimenti (1976)
  • Love Sacrifice (1976)
  • Rome, the Other Face of Violence (1976)

Biografia completa

Paola Maiolini starred as Sister Maria in 'Immagini di un convento' (1979), a film that explores themes of lust, desire, and demonic possession among the nuns in a convent. The movie's plot revolves around the arrival of an injured man at the convent, which stirs sexual madness among the nuns.

Immagine di anteprima Paola Senatore
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Nome di nascita: N/A

Data di nascita: 1949-11-09

Luogo di nascita: Rome, Lazio, Italy

Carriera

Prime apparizioni:

  • Robin Hood, l'invincibile arciere (1970) come

Ruoli più importanti:

  • The Doctor Prefers Sailors (1981) come Paola
  • Images in a Convent (1979) come Isabella
  • Eaten Alive! (1980) come Diana Morris
  • Story of a Cloistered Nun (1973) come
  • Women in Cell Block 7 (1973) come Musumeci
  • Zig Zig (1975) come Madame Bruyère
  • Like Rabid Dogs (1976) come Germana
  • Malombra (1984) come Carlotta
  • Where Can You Go Without the Little Vice? (1979) come Simona Beltramelli
  • Nonstop in the Dark Room (1985) come

Punti salienti della carriera:

  • The Doctor Prefers Sailors (1981)
  • Images in a Convent (1979)
  • Eaten Alive! (1980)
  • Story of a Cloistered Nun (1973)
  • Women in Cell Block 7 (1973)
  • Zig Zig (1975)
  • Like Rabid Dogs (1976)
  • Malombra (1984)
  • Where Can You Go Without the Little Vice? (1979)
  • Nonstop in the Dark Room (1985)

Biografia completa

Paola Senatore (born 9 November 1949) is an Italian retired film actress.

Born in Rome, Paola Senatore worked in Italian genre films during the 1970s, including poliziotteschi, commedia sexy all'italiana and giallo films. These included cult films such as Ricco the Mean Machine (1973), The Flower with the Petals of Steel (1973), The Killer Reserved Nine Seats (1974), Salon Kitty (1976), Emanuelle in America (1977), and Umberto Lenzi's cannibal film Eaten Alive! (1980). In the mid-1980s, after two soft-core erotic films directed by Joe D'Amato and because of drug problems and pregnancy, she accepted starring in pornographic magazines and in a hard-core film, Non stop... sempre buio in sala.

Her film career ended in September 1985 when she was arrested for possession and trafficking of drugs.

Immagine di anteprima Sylviane Anne Marie Plard
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Nome di nascita: N/A

Data di nascita: N/A

Luogo di nascita: N/A


Poster for Immagini di un convento (1979)
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Anno di uscita: 1979

Nazione: Italy

Titolo alternativo: O Convento das Taras Proibidas, Les amours interdites d'une religieuse, Amartoles kalogries, Eikones apo ena monastiri, Картины монастырской жизни, Монастырские соблазны, Imagen de un convento, Images in a Convent

Regista: Joe D'Amato

Sceneggiatore: Denis Diderot, Joe D'Amato

Produzione & Genere

Produttore/i: N/A

Società: Kristal Film

Genere: Drama, Horror, Pornographic Film, Thriller

Premi & Simili

Premi: N/A

Simile:

  • The Joy Luck Club (1993)
  • The Little Girl Who Lives Down the Lane (1976)
  • The Big Clock (1948)
  • House of Strangers (1949)
  • Wrong Move (1975)

Parole chiave

Storia

The film 'Immagini di un convento' (1979), directed by Joe D'Amato, appears to be a dramatic thriller set in a convent. However, the specifics of the plot are not detailed in the provided sources.

Riassunto

The movie 'Immagini di un convento', released in 1979, is a work by Italian filmmaker Joe D'Amato. It falls into multiple genres including drama, horror, pornographic film, and thriller, suggesting it may contain elements of suspense, sexuality, and religious themes. Despite the lack of detailed plot information from the provided sources, the film's diverse categorization hints at its potential for exploration of complex and possibly controversial subjects.