Scena da Mujeres en el parque (2006)
Dettagli della scena
| Durata: 164 sec.. | Nudità: yes | Creatore: supers992 |
| Nuova dimensione file: Loading... | Audio: yes | Vecchia dimensione file: 100 mb |
| Formato file: AOMedia Video 1 (WebM/AV1) | Risoluzione: 1280x720 | Aggiunto: 2026-04-03 |
Attrici in questa scena
Nome di nascita: Bárbara Lennie
Data di nascita: 1984-04-20
Luogo di nascita: Madrid, Community of Madrid, Spain
Dettagli
Nomi alternativi: Barbara Lennie, ברברה לני, バルバラ・レニー・ホルギン, バルバラ・レニー, 芭芭拉·蘭妮
Caratteristiche fisiche: N/A
Carriera
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Ruoli più importanti:
Punti salienti della carriera:
Premi
Premi:
Biografia completa
A Spanish actress (of Argentine parents) graduated in Interpretation from the Royal School of Dramatic Art (Madrid). She debuted at only fifteen in the 2001 film No Pain, No Gain and has won a Goya Award as best actress in 2015 for the film Magical Girl.
Sul film: Mujeres en el parque (2006)
Anno di uscita: 2006
Nazione: N/A
Titolo alternativo: 公園裡的女人, Women in the Park
Regista: Felipe Vega
Sceneggiatore: Felipe Vega, Manuel Hidalgo
Produzione & Genere
Produttore/i: Producer: Gerardo Herrero
Executive_Producer: Mariela Besuievsky
Società: N/A
Genere: Drama
Storia
Daniel, a music teacher and pianist, decides to leave his wife Ana after over twenty years of marriage due to their marital crisis. Ana, who owns an art gallery, refuses to accept the reality of their situation and continues to live in their shared apartment despite Daniel moving out. The story revolves around their emotional conflict as they struggle to navigate their changing relationship.
Riassunto
Directed by Felipe Vega, 'Mujeres en el parque' (Women in the Park) is a Spanish drama film released in 2006 that explores the complexities of a long-term marriage on the brink of collapse. The movie follows Daniel and Ana, whose once harmonious relationship has soured over time, leading Daniel to move out and request a divorce. However, Ana refuses to accept this reality and continues to live in their shared apartment as if nothing has changed. The film delves into themes of emotional detachment, communication breakdown, and the struggle between acceptance and denial in long-term relationships.