Attrice: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z

Titolo Film: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z #

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Durata: 73 sec..Nudità: yesCreatore: chevreuil
Nuova dimensione file: Loading...Audio: yesVecchia dimensione file: 8 mb
Formato file: AOMedia Video 1 (WebM/AV1)Risoluzione: 672x400Aggiunto: 2005-08-08

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Immagine di anteprima Valérie Kaprisky
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Nome di nascita: Valérie Chérès

Data di nascita: 1962-08-19

Luogo di nascita: Neuilly-sur-Seine

Dettagli

Nomi alternativi: Valerie Kaprisky, Valerie Kaprisky, Valérie Cheres, Valérie Chérès, Valérie Cheres, Valérie Chérès

Caratteristiche fisiche: N/A

Carriera

Prime apparizioni:

  • Men Prefer Fat Girls (1981) come Une copine d'Èva

Ruoli più importanti:

  • Breathless (1983) come Monica
  • Aphrodite (1982) come Pauline
  • Special Correspondents (2009) come Françoise Poussin
  • By the Pricking of My Thumbs (2005) come Françoise Blayes
  • Year of the Jellyfish (1984) come Chris
  • Frenchmen 2 (2007) come Jeanne
  • So Woman! (2009) come Marion
  • Les Irréductibles (2006) come Laurence
  • The Public Woman (1984) come Ethel
  • Men Prefer Fat Girls (1981) come Une copine d'Èva

Punti salienti della carriera:

  • Breathless (1983)
  • Aphrodite (1982)
  • Special Correspondents (2009)
  • By the Pricking of My Thumbs (2005)
  • Year of the Jellyfish (1984)
  • Frenchmen 2 (2007)
  • So Woman! (2009)
  • Les Irréductibles (2006)
  • The Public Woman (1984)
  • Men Prefer Fat Girls (1981)

Premi

Premi:

  • Nominated for 1 César - Best Actress (Meilleure actrice) (1985)
  • Nominated for 1 Genie - Best Performance by an Actress in a Leading Role (1994)
  • Nominated for 1 Jupiter Award - Best International Actress (1985)
  • Nominated for 1 Jupiter Award - Best International Actress (1984)

Biografia completa

Valérie Kaprisky (born August 19, 1962) is a French actress. She was born Valerie Chérès in Neuilly-sur-Seine, Hauts-de-Seine, France. Kaprisky is her mother's maiden name. She appeared in soft-core exploitation (Aphrodite), then made her American debut in the A Bout de Souffle remake Breathless (1983) frolicking with Richard Gere with whom she subsequently had a reportedly-tempestuous affair. The film was critically panned and she returned to filming in France. She also appeared in La femme publique (1984) by Andrzej Żuławski, for which she was a nominee for the 1985 César Award for Best Actress.

Valérie Kaprisky


Poster for La femme publique (1984)
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Anno di uscita: 1984

Nazione: France

Titolo alternativo: A Mulher Pública, Обществена жена, Femme publique, Kobieta publiczna, Публичная женщина, La mujer pública, The Public Woman, Die öffentliche Frau

Regista: Andrzej Zulawski

Sceneggiatore: Andrzej Zulawski, Dominique Garnier

Produzione & Genere

Produttore/i: Producer: René Cleitman

Società: Hachette-Fox Productions

Genere: Drama, Erotic Film

Premi & Simili

Premi:

  • 2 wins & 4 nominations

Simile:

  • Avalon (1990)
  • God Does Not Believe in Us Anymore (1982)
  • The Cousins (1959)
  • Topaz (1969)
  • Teheran '43 (1981)

Parole chiave

Storia

A young actress, Sophie (Sophie Marceau), arrives in Paris and lands a role in a film adaptation of Dostoyevsky's 'The Possessed'. The Czech director of the film, Paul (Francis Huster), becomes obsessed with her and takes control over her life. Sophie struggles to distinguish between reality and acting as she becomes deeply immersed in her character. Paul manipulates her into posing as the dead wife of a Czech immigrant named Koudelka (Yves Benezet). Unbeknownst to Sophie, Paul intends for Koudelka to carry out a political assassination under the guise of being Sophie's widower.

Riassunto

La femme publique (1984) is an erotic drama directed by Andrzej Żuławski, based on Sophie Marceau's real-life experiences in the film industry. The movie explores themes of identity, reality versus illusion, and manipulation. It interweaves elements from Fyodor Dostoyevsky's 'The Possessed' with a semi-autobiographical narrative. Although it received mixed reviews upon release, La femme publique is now considered one of Żuławski's most controversial films due to its explicit content and exploration of dark psychological themes.